Showing posts with label ghost writing. Show all posts
Showing posts with label ghost writing. Show all posts

Monday, February 9, 2009

Write Every Day... Except During Tax Time - Ken Kuhlken

By Ken Kuhlken
Novelist, short story writer
California

Maybe a hundred times I’ve heard writers comment that if you take this vocation seriously, you need to write every day. Well, they all must live in a different dimension than the one I live in. Here, stuff happens.

Like occasional burnout. Tax time. Catching up on all the nonsense such as bill paying, household chores, yard work, and family outings I didn’t do when I was writing every day. Not to mention a day job, which for me at this point is trying to do justice to teaching and serving as president of Perelandra College.

No whining intended. I’m preparing to make a point. Which is, the most valid reason for writing every day is that once you take days off (let alone a month or two), getting started and finding momentum again is an arduous proposition.

It’s likely I won’t return to the current novel until around March 1. So, in order to jump start the reentry, I hope to arrive at that date with a solid outline of the rest of the novel. Even if I feel no need to stick to the outline, having a solid one urges me on, so I can reach those scenes I most long to write and read.

Ken Kuhlken’s stories have appeared in Esquire and dozens of other magazines and anthologies, been honorably mentioned in Best American Short Stories, and earned a National Endowment for the Arts Fellowship. He has been a frequent contributor and a columnist for the San Diego Reader.

His novels are Midheaven, a finalist for the Ernest Hemingway Award for best first novel, The Loud Adios (Private Eye Writers of America Best First Mystery Novel, 1989), The Venus Deal, The Angel Gang, The Do-Re-Mi (a January Magazine best book of 2006 and a finalist for the Shamus Award for Best PI Novel), and The Vagabond Virgins (February, 2008). Visit Ken at www.kenkuhlken.net

Subscribe to Florida Christian Writers Conference Blog by e-mail

Friday, February 6, 2009

The Writing Thief - Margaret D. McGee

By Margaret D. McGee
Author
Port Townsend, WA

I’ve been a writer ever since I could read, and I’ve been a thief ever since I could write.

In the first grade, I was publicly unmasked as a plagiarist during show and tell when I tried to pass off a story from Highlights magazine as my own.

I learned my lesson, and I’ve never been exposed as a plagiarist since. But as a writer I continue to steal. Steal insights and techniques from other people’s work. Steal bits and pieces of other people’s lives when they bump into mine and strike a spark.

These days, my favorite source for stolen text is the Bible. Fruitful material, strong language, and best of all, nobody’s going to call me a plagiarist for lifting its lines.

In my conference workshops, “Tell the Truth: Finding the Universal Story in Your Story” (Friday, 2:45 – 3:45) and “The Breath of Life: Writing with the Spirit” (Saturday, 4:00 – 5:00 PM) we are going to steal insights and techniques from each other and write what connects with our readers’ hearts.

In “Tell the Truth,” you’ll learn how to use your own vulnerability and unique experiences to show your readers that they are not alone in the world. In “The Breath of Life” we’ll see how using all five senses makes writing come alive.

I’m looking forward to meeting you and writing with you.

Margaret D. McGee, a writer, teacher, and leader of spiritual workshops and retreats, is author of Sacred Attention: A Spiritual Practice for Finding God in the Moment and Stumbling Toward God: A Prodigal’s Return. She is also a contributor to Alive Now, The Living Church, and Episcopal Life. On her Web site IntheCourtyard.com, Margaret shares her further adventures along the spiritual path.

Subscribe to Florida Christian Writers Conference Blog by e-mail

Wednesday, February 4, 2009

Writers Broken by God - Les Stobbe

By Les Stobbe
Literary Agent
Tryon, NC

What experiences do people remember?

In the run-up to football’s Super Bowl a sportswriter did research on what the sporting public remembers and came to an amazing conclusion. He discovered that it is the failures of winning teams and high performing athletes that people talk about.

He cited the example of the Red Sox losing the final game of a World Series because a ball trickled through the first baseman’s legs in the ninth inning, giving the New York Yankees new life and letting them win.

He speculated that even after winning 18 straight games in the 2007-2008 season, what would indelibly stamp the New England Patriots in the memory of football fans nationwide was the loss to the New York Giants in the Super Bowl. That they actually came within less than three minutes of winning their 19th game does not count—they lost. That bitter loss will haunt Patriot’s fans for decades and be mentioned by sports commentators for many years to come.

Yes, we revere Joseph for his leadership in the court of Pharaoh, but isn’t it his being thrown into a pit by his brothers and sold as a slave to traders passing by that really grips us emotionally?

We rejoice at David dispatching Goliath with a single stone, but the most vivid scenes are David’s seduction of Bathsheba and Nathan’s confrontation of David over his actions. We read Psalm 51 because we can relate to the explosion of raw emotions leading to repentance and acceptance by God.

We may be envious of Job’s wonderful time as a rich man with a successful family. But stuck in our minds is the image of him sitting on an ash heap scraping at his sores.

Would Jonah’s trip to Nineveh have been memorable if gentle breezes had taken his ship to that great city? Instead we sympathize with him as he realizes he’s the reason the wind is threatening to sink the ship and empathize with him as he is thrown overboard?

As editor and agent I have had to turn down many manuscripts because they are only a presentation of ideas without the context of life’s struggles and brokenness before God. So rejoice when God lets you experience suffering, rejection, brokenness, for once you have experienced the reality of God’s presence during those times you have a message for others.

But take your time to process what God has been teaching you—your writing before you have experienced the full range of God’s healing process will still reflect remnants of confusion and anger.

Les Stobbe has been an agent for 16 years, with a focus on adult fiction and non-fiction. Most of Les’s publishable proposals are coming via recommendation from clients, well-known authors, and editors, often at Christian writers’ conferences.

He is looking for those fresh voices in both adult fiction and non-fiction who above all know how to tell a story with truth embedded in it. While he is convinced that outstanding writing by fresh voices ought to be a priority consideration when a manuscript is evaluated, he is well aware that breakthrough writers typically already have a platform.

He is happy to provide outlines for both fiction and non-fiction proposals at lstobbe@windstream.com. Since he moved into the digital age years ago, Les expects all queries and proposals will come as one document attached to an e-mail.

Subscribe to Florida Christian Writers Conference Blog by e-mail

Tuesday, February 3, 2009

Meet Cec Murphey, Conference Keynoter

After meeting Cecil "Cec" Murphey at a writers' conference several years ago, we knew we'd instantly made a friend for life. Cec has that effect on people. Cecil “Cec” Murphey

A prolific writer, mentor, and all-around good guy, Cec will be keynoting at the upcoming Florida Christian Writers' Conference (Feb 26-March 1, 2009).

Whether you're an aspiring writer, an emerging writer, or an oft-published writer, we urge you to attend a writers' conference. Spending a few days in the company of a few hundred like-minded folks will change your career--it may even change your life. What better conference to start with than one in sunny Florida?

To whet your whistle, we thought we'd introduce you to "the man behind the words," Cec Murphey.

If you were forced to live alone on a tropical island for one year (after which you would return home) and could bring one book (other than the Bible) one CD and one DVD, what would they be and why?

Cec Murphey: I'd take along Les Misérables by Victor Hugo. Les MiserablesI've read the unexpurgated version four times. That book taught me more about grace than any book other than the Bible. It's not the bishop and the candlestick part, but the relationship between Valjean and Javert.

While no one was looking, I'd sneak a copy of The Grapes of Wrath under my shirt. It's a powerful, tragic story. Steinbeck pushes me to improve as a writer.

On my DVD, I'd probably have the film Casablanca because of the sparse-but-brilliant dialogue.

For a CD, I'd take anything that was purely instrumental so I could play it while I read. (Yes, and I'd cheat again and sneak in a second CD of praise song.)

A recent stat says 81% of Americans believe they have a book inside them, just waiting to find its way onto paper. Why do so few of these books make it onto the page, let alone make it to print? For those that press through and get their book onto the page what must they do to get it into print?

Cec: Most of the people who come to me want to write their biographies. "I've led such an interesting life," is how they usually start. To write such books is an excellent form of catharsis and can enable people to rethink their lives.

Kierkegaard wrote:
"Life can only be understood backward; but it must be lived forward."

But they probably won't sell them.

Books need two qualities:

They have to be unique, but they also need a universal appeal. Few personal accounts have the latter.

To get their books into print, I urge them to learn how to write and to keep learning. We have many badly written books in print, but that doesn't excuse us for bad writing.

My friend Jeff Adams says:
"Demand perfection; settle for excellence."

It takes years to become a top-level writer. It means never to stop learning and improving. Most of us old-time writers began with articles as our apprenticeship. Books came later. Too many people want to start with best sellers.

Of the 100+ books you've written, is there one you feel most passionate about?

90 Minutes in HeavenCec: This must be a trick question. I feel strongly about most of the books I've done for others, especially 90 Minutes in Heaven (obviously) and Gifted Hands. Their combined sales have hit about seven million copies in English. But it's not the sales; it's the subjects themselves. They're genuine people and their stories are a strong-and-timeless message.

Committed But Flawed by Cec MurpheyOf the books under my own name, Committed But Flawed stands at the top. It's with a small publisher and hasn't done well in sales, but it's the most transparent I've ever been in print.

As well as writing your own books, you've done a fair amount of ghost writing. How do you learn to write in someone else's voice?

Cec: How to learn? I don't know. I started in the 1980s when the senior editor of Revell asked me to ghostwrite. He said, "You have the ability to get into other people's heads."

God gave me a gift, and I'm grateful. I also believe that gift emerged out of a badly damaged childhood. Suffering and learning to cope has helped me to understand the heartbreak and pain of others.

I suggest they start with profiles in magazines. If editors buy their articles, that's a good indication that they might become good ghostwriters.

I delineate two types of ghostwriters:

  1. This writer gets the data-the facts-and writes them. Almost anyone can do that. Several ghosted books read like someone who reports from outside the individual.

  2. This writer starts inside the person. When readers finish the book, they feel they know the person.
Sally Jenkins did two books for Lance Armstrong. Even if you don't care about cycling (and I don't), they hold my interest because she gets inside the man.

When people discuss Cec Murphey, they use words like life-changing, mentor, encourager, fun-loving, friend. How would you describe yourself?


Cec: On my tombstone I would like two words: He cared.

As a writer, I've had a twofold purpose for the 30 + years I've been publishing. I promised God two things. First, I would strive to become the best writer possible and never stop learning to improve. Second, I would do whatever I could to help other writers. How do I condense that in a single noun?

Florida Christian Writers’ ConferenceCan you give us a brief preview of what you'll be sharing at the upcoming Florida Christian Writers' Conference?

I'm scheduled for 3 keynote addresses and my purpose is to nudge and inspire others to write from the inside. The more they're in touch with who they are, the stronger they'll write.

I'll also teach a continuing class on nonfiction books. One of my seminary professors called me Mr. Pragmatic, thus I want to make the classes practical and helpful to show writers how to write and sell nonfiction.

Thanks for chatting with us, Cec!

Readers: please share your close encounter of the Cec kind in the Comments area.

*This article was originally published at HeBlogsSheBlogs.com, Dec. 16, 2008. Used with permission.

Subscribe to Florida Christian Writers Conference Blog by e-mail